Men in Black (4k Trilogy)

Product detailed description

Package includes 3 discs

Ultra HD Blu-ray - Men in Black

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Aspect ratio 1.85:1
• Original audio in Dolby Atmos
• BD-66 (dual-layer UHDBD)

Will I get native 4k Ultra HD?

Yes. Men in Black was shot back when digital transition prints were not very common and digital effects were etched onto film, which was thus completely photochemically finished. This allowed the studio to go back to the original negatives, scan them in 4k and then provide the master as a source for the native 4k Ultra HD Blu-ray presentation. This, in addition to a significant increase in resolution and higher quality compression, is enhanced by the expansion of brightness and colour space, i.e. HDR and WCG - and to make matters worse, the soundtrack has been remixed into Dolby Atmos. So, as is often the case, Ultra HD Blu-ray represents the best possible form of a film that didn't look any better in its theatrical release and, more importantly, is highly unlikely to look any better, as Ultra HD Blu-ray makes the most of the visual information that analogue tape is capable of providing.

Ultra HD Blu-ray - Men in Black II

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Aspect ratio 1.85:1
• Original audio in Dolby Atmos
• BD-66 (dual-layer UHDBD)

Will I get native 4k Ultra HD?

Yes. Men in Black II was shot on motion picture film and finished photochemically without a digital intermediate (with digital effects recorded directly back onto film stock). This allowed the studio to return to the original camera negatives, scan them in 4K, and use that master as the source for a native 4K Ultra HD Blu-ray presentation. The exact same strengths apply here as with the first installment.

Ultra HD Blu-ray - Men in Black 3

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Aspect ratio 1.85:1
• Original audio in Dolby Atmos
• BD-66 (dual-layer UHDBD)

Will I get native 4k Ultra HD?

Yes. Men in Black 3 was shot predominantly on motion picture film, with only a handful of scenes captured on Arri Alexa digital cameras. Crucially, the finished film was mastered in 4K, allowing that master to serve as the source for a native 4K Ultra HD Blu-ray presentation. Just like the first two installments, the film has never looked better—and never will.