28 Years Later: The Bone Temple

Yes. Whereas Danny Boyle's opening chapter of the new trilogy experimented with custom iPhone rigs, director Nia DaCosta and veteran cinematographer Sean Bobbitt opted for more traditional flagship digital cinema hardware on 28 Years Later: The Bone Temple. Shot on Arri Alexa 35 cameras at 4.6k resolution, the image exhibits a calmer, more classical filmic rendering and extraordinary dynamic range compared to its predecessor—qualities that shine especially inside the claustrophobic confines of the titular Bone Temple. Raw footage was post-produced and finished to a native 4k master, giving this 4k Ultra HD Blu-ray true native 4k resolution with first-rate fine detail and tactile texture reproduction. Enhanced further by Wide Color Gamut (WCG) and HDR (including Dolby Vision)—which render flickering flames, deep shadows, and rich hues of blood and foliage magnificently—plus the generous bitrate headroom of a triple-layer BD-100 disc and immersive Dolby Atmos audio, this is an out-and-out reference presentation that no future edition will top.