Smile

Yes. Director Parker Finn's breakout psychological horror hit Smile was lensed by cinematographer Charlie Sarroff in the less common 2.00:1 aspect ratio on large-format Arri Alexa Mini LF digital cameras fitted with anamorphic lenses, capturing raw footage in 4.5k resolution. Post-production was completed entirely in 4k, meaning the transfer on this high-capacity triple-layer BD-100 disc is sourced directly from a native 4k master. The large-format digital sensor lends the image surgical sharpness and fine detail across unnervingly intimate facial close-ups and cold, sterile interiors alike. Combined with HDR (both Dolby Vision and HDR-10), Wide Color Gamut (WCG), and an exceptionally aggressive, spatially terrifying Dolby Atmos mix, the disc delivers reference black levels, superb shadow delineation, and audiovisual quality that handily outclasses theatrical projection.