The Dark Knight Trilogy

Product detailed description

The package includes 3 discs

Batman Begins on Ultra HD Blu-ray

• Video in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Aspect ratio 2.39:1
• Original audio in DTS-HD MA 5.1
• BD-100 (triple-layer UHDBD)

Do I get native 4K ULTRA HD?

Yes. As a strong supporter of analog, Christopher Nolan shot the first Batman on 35mm film and finished it photochemically (without a traditional DI copy). Thanks to this, the studio was able to return to the original negatives and create a completely new 4K master before releasing it on UHDBD, with Nolan himself overseeing the HDR pass and final encode for Ultra HD Blu-ray. There is no doubt that the film will never look better on home video formats.

The Dark Knight on Ultra HD Blu-ray

• Video in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Variable aspect ratio 1.78:1 / 2.40:1
• Original audio in DTS-HD MA 5.1
• BD-100 (triple-layer UHDBD)

Do I get native 4K ULTRA HD?

Yes. Christopher Nolan shot The Dark Knight as a big proponent of analogue on 35mm film, and for the bigger action scenes he opted for IMAX cameras with 65mm film stock, whose theoretical resolution is far above any currently existing digital standards. In addition, Nolan finishes his films photochemically, never making conventional DI prints (these are made before distribution), so for the purposes of the UHD presentation the studio went back to the original negatives and made a new 4k master. Nolan himself oversaw its creation and the subsequent HDR pass, so there is no question that UHDBD will deliver the best version of the film available, which, moreover, cannot be rivalled by DI prints for conventional digital cinemas.

The Dark Knight Rises on Ultra HD Blu-ray

• Video in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Variable aspect ratio 1.78:1 / 2.40:1
• Original audio in DTS-HD MA 5.1
• BD-100 (triple-layer UHDBD)

Do I get native 4K ULTRA HD?

Yes. Christopher Nolan shot the third Dark Knight as a big proponent of analogue on 35mm film, and for the bigger action scenes he opted for IMAX cameras with 65mm film stock, whose theoretical resolution is far above any currently existing digital standards. In addition, Nolan finishes his films photochemically, never making conventional DI prints (these are made before distribution), so for the purposes of the UHD presentation the studio went back to the original negatives and made a new 4k master. Nolan himself oversaw its creation and the subsequent HDR pass, so there is no question that UHDBD will deliver the best version of the film available, which, moreover, cannot be rivalled by DI prints for conventional digital cinemas.