Beverly Hills Cop 4k, Collection 1-3

Product detailed description

The package includes 3 discs

Beverly Hills Cop on 4k Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 1.78:1
• Original audio in DTS-HD MA 5.1
• Audio: Czech, English, French (European), Italian, Spanish (Castilian)
• Subtitles: Czech, Danish, Dutch, English, Finnish, French (European), Italian, Norwegian, Spanish (Castilian), Swedish
• BD-66 (dual-layer UHDBD)

Do I get native 4k ULTRA HD?

Yes. A glance at the year of production will tell anyone that Beverly Hills Cop must have been shot on classic analogue 35mm film and thus was completely analogue post-produced. This allowed the studio to go back to the original negatives, restore them for the 4k Ultra HD Blu-ray release, and use the new scan to create a native 4k master. The new transfer is thus able to squeeze the absolute maximum out of the original material in terms of resolution, colour and brightness range - both of which are several levels higher in quality than any existing copies of the film thanks to HDR. As a result, Foley's Beverly HIlls adventure not only looks better on UHDBD than on any previous medium, but even better than when it was released. As is often the case with catalogue titles, this is its ultimate presentation, and it's highly likely that the film will never look better.

Beverly Hills Cop II on 4k Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 2.35:1
• Original audio in DTS-HD MA 5.1
• Audio: Czech, English, Italian
• Subtitles: Czech, Danish, English, Finnish, Italian, Norwegian, Swedish
• BD-66 (dual-layer UHDBD)

Do I get native 4k ULTRA HD?

Yes. Tony Scott's high-octane sequel Beverly Hills Cop II (1987) was shot by cinematographer Jeffrey L. Kimball on classic 35mm film in anamorphic Panavision. For its Ultra HD Blu-ray release, the original 35mm camera negative underwent a brand-new 4k scan and restoration. Presented in native 4k with HDR-10 and Dolby Vision, the transfer brings Tony Scott's signature visual flair to life—sun-drenched Californian exteriors, smoke-filled interiors, and golden-hour sunsets pop with far greater dynamic range and color saturation than the aging Blu-ray, accompanied by tight organic grain and crisp fine detail.

Beverly Hills Cop III on 4k Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 1.78:1
• Original audio in DTS-HD MA 5.1
• Audio: Czech, English, Italian, Spanish
• Subtitles: Czech, Danish, English, Finnish, Italian, Norwegian, Spanish (Castilian), Swedish
• BD-66 (dual-layer UHDBD)

Do I get native 4k ULTRA HD?

Yes. The third installment Beverly Hills Cop III (1994), directed by John Landis, was shot by veteran cinematographer Mac Ahlberg on classic 35mm film. For its Ultra HD Blu-ray debut, Paramount struck a new 4k master from the original 35mm camera negative. Presented in native 4k with HDR-10 and Dolby Vision, the transfer delivers crisp fine detail across the colorful Wonder World theme park sets, well-resolved organic film grain, and vibrant primary colors with balanced contrast across both bright Californian exteriors and subterranean interiors.