Con Air

Yes. Producer Jerry Bruckheimer's quintessential nineties action thrill-ride Con Air was shot in 1997 by director Simon West and cinematographer David Tattersall on classic 35mm film using Panavision anamorphic lenses (2.39:1). Built around bone-crunching practical stuntwork, massive pyrotechnic explosions, and an actual full-scale crash landing of the C-123 'Jailbird' transport plane straight onto the Las Vegas Strip, the production was finished completely photochemically without a digital intermediate (DI). Disney / Touchstone was therefore able to return directly to the original 35mm camera negatives (OCN), scanning them in 4k to produce a native 4k master encoded with efficient HEVC compression on a dual-layer BD-66 disc. Over the ancient 2008 Blu-ray release, the generational upgrade is substantial: Tattersall's punchy, high-contrast photography retains a healthy, organic layer of celluloid grain untouched by digital noise reduction (DNR), resolving crisp fine textures across sweat-soaked prison jumpsuits, weathered close-ups of Nicolas Cage, John Cusack, and John Malkovich, cockpit gauges, and twisted wreckage. HDR-10, dynamic Dolby Vision metadata, and a wide color gamut (WCG) inject fresh vitality into every reel—blazing Carson City desert sunlight, roaring fireballs, and neon-drenched Las Vegas signage pop with controlled specular punch, while the claustrophobic cargo hold maintains deep blacks and clean shadow detail. Topped off by an aggressive new Dolby Atmos remix that unleashes roaring aircraft flyovers, chaotic gunfire, and Mark Mancina and Trevor Rabin's driving guitar score across every channel, this is nineties action cinema at its home-theater peak.