Vertigo

Product detailed description

Package includes 2 discs

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10)
• Aspect ratio 1.85:1
• Original audio in DTS:X
• Audio: Czech, English, French (European), Hindi, Polish (Voice-Over), Russian
• Subtitles: Czech, Danish, Dutch, English (SDH), Finnish, French (European), Hindi, Norwegian, Polish, Russian, Swedish
• BD-100 (triple-layer UHDBD)

Special Features

• Audio commentary with William Friedkin
• Obsese Vertigem (29:14 min)
• Partners in crime - Hitchcocks companions (56:15 min)
• Censored ending (2:07 min)
• Hitchcock / Truffaut (15 min)
• Trailers

(115 min)

Blu-ray

• Feature film in Full HD
• Aspect ratio 1.85:1
• Original audio in DTS-HD MA 5.1
• Audio: Czech, English, Hungarian, Polish (Voice-Over), Portuguese (European), Russian, Spanish (Latin American), Thai, Turkish
• Subtitles: Czech, English (SDH), Greek, Hungarian, Polish, Portuguese (European), Romanian, Russian, Spanish (Castilian), Thai, Turkish

Special Features

• Audio commentary by the director
• Obsessed with Vertigo: New Life for Hitchcock's Masterpiece (29:18 min)
• Hitchcock's Accomplices (55 min)
• Hitchcock / Truffaut (14:17 min)
• Censored ending (1:52 min)
• Photo Gallery
• Trailers

(approx. 110 min)

Will I get native 4k Ultra HD?

Yes. All of Alfred Hitchcock's films were naturally made in the analog era via photochemical capture on 35mm motion picture film. For the 4K Ultra HD Blu-ray release of Hitchcock's classics, Universal pulled these film elements from its archives, completely restored them, scanned them in 4K, and created a native 4K master from those scans.

There is no question that Hitchcock's films have never looked better: 4K resolution extracts nearly the theoretical maximum from the 35mm film stock, while HDR and WCG draw out every last nuance of color from these thrillers and harness the generous exposure latitude of the analog elements. These are unquestionably reference-grade discs whose only visual limitations appear during optical effects shots or instances of irreversible film damage (most of which the restoration has eradicated anyway).