Dune 4k Collection 1-2

Product detailed description

Package includes 2 discs

Dune on 4K Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 2.39:1
• Original audio in Dolby Atmos
• Audio: Czech, English, French (European), Hungarian, Italian, Polish, Spanish (Castilian)
• Subtitles: Bulgarian, Cantonese, Chinese (Traditional), Czech, Dutch, English (SDH), French (European), Hungarian, Italian, Korean, Polish, Romanian, Slovak, Spanish (Castilian)
• BD-100 (triple-layer UHDBD)

Will I get native 4k Ultra HD?

Yes. Cinematographer Greig Fraser, who also lensed the gorgeous Rogue One, shot Dune on Arri's latest large-format Alexa LF digital cameras. Capturing native 4.5K resolution, these cameras provide more than enough visual information for razor-sharp clarity and fine detail rendering that easily stood up to IMAX projection. Fraser and Denis Villeneuve then recorded that 4.5K footage out to 35mm film stock and scanned it back into the digital realm at 4K. The goal was to achieve the organic texture of analog film while retaining all the advantages of a modern digital workflow. As a result, Dune gained genuine filmic qualities—including fine, natural grain that a standard digital LUT could never replicate—without sacrificing the sharpness and precision of high-resolution digital capture. It is no coincidence that this Ultra HD presentation, sourced from a native 4K master, is an absolute reference showcase in both sight and sound.

Dune: Part Two on 4k Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 2.39:1
• Original audio in Dolby Atmos
• BD-100 (triple-layer UHDBD)

Special Features

• Creating the world of Fremen
• Learning Chakobsa language
• Riding the Worm
• Deeper into the desert: Sound of Dune

Will I get native 4k Ultra HD?

Yes. Villeneuve made the second Dune primarily for IMAX cinemas, which is why he logically adapted the shooting technology. The film was shot on large format digital cameras Arri Alexa 65 in IMAX modification. The enormous chips in these cameras are the equivalent of 65mm cinema film and can capture raw footage at a fantastic 6.5k resolution. Full post-production was then done in 4k, which is also the resolution achieved by the final master. Taking into account that the film was also straight colorized in Dolby Vision (among other deliverables), and thus shot and post-produced with HDR capabilities in mind, this combination of brightness, color and image resolution makes it possible to expect absolutely reference material. The only shame is that Villeneuve, unlike Nolan, is not releasing the IMAX versions on physical media - the film will be present on disc in the standard 2.39:1 aspect ratio instead of the "almost IMAX" 1.78:1. Even so, it's clear that the disc delivers an audiovisual orgy that makes the most of the technological possibilities of home theater, and thus may sound and look better than most standard theaters.