Jurassic World: Dominion

Product detailed description

Package includes 2 discs

Ultra HD Blu-ray

• Feature film in Ultra HD (3840 x 2160)
• Theatrical and extended cuts*
• HDR (HDR-10 + Dolby Vision)
• Aspect ratio 2.00:1
• Original audio in DTS:X
• Audio: Czech, English, Polish, Spanish
• Subtitles: Cantonese, Czech, Danish, English (SDH), Finnish, Korean, Mandarin (Traditional), Norwegian, Polish, Spanish (Castilian), Swedish
• BD-66 (dual-layer UHDBD)

Blu-ray

• Feature film in Full HD
• Theatrical and extended cuts*
• Aspect ratio 2.00:1
• Original audio in DTS:X
• Audio: Czech, English, Polish, Spanish
• Subtitles: Cantonese, Czech, Danish, English (SDH), Finnish, Korean, Mandarin (Traditional), Norwegian, Polish, Spanish (Castilian), Swedish

* The Extended Cut is available only without Czech language options—you must select English in the disc menu, after which the disc will also offer the 161-minute extended version, for which neither Czech subtitles nor dubbing exist.

Will I get native 4k Ultra HD?

Yes. For the third Jurassic World installment, Trevorrow brought back cinematographer John Schwartzman, with whom he had shot the first film. This collaboration led to the same approach used on the original, shooting virtually the entire movie on large-format analog film. Specifically, a substantial portion of Dominion was shot on 65mm stock, which was subsequently replaced (after laboratories capable of processing large-format film closed during the pandemic) by VistaVision—an alternative large-format process that uses 35mm negative exposed horizontally, yielding nearly the same exposure area on the negative when shooting in a 2.00:1 aspect ratio as standard 65mm film.

Only a single scene was shot on digital cameras (in the caves, due to low light), and even that was subsequently recorded out to analog film stock and scanned back into digital form in order to preserve the "film look."

In any case, all the analogue material was scanned into digital form, in 4k resolution, for post-production. The resulting master is therefore a native 4k transfer, providing the 4k Ultra HD Blu-ray disc with an enormous amount of visual information with the potential for reference spectacle. At the same time, the image retains the characteristics of the analogue strip: film grain and tremendous exposure flexibility, which the disc can then exploit through HDR. As with the visually extremely well done first part, we can expect a downright epic spectacle and we get a film with a technically superior presentation than what the audience had the opportunity to see in the cinemas.